“Oh, to be in England”–the first line of a Robert Browning poem that raves about being in England in April and May. I did the April part, and it was beautiful. Continue reading Oh, to be in England
More San Miguel
There’s so much more to share about San Miguel and the writers’ conference, but since I couldn’t photograph synapses firing, here’s a bit more San Miguel beauty. One afternoon, I passed by here on my way from el centro back to the hotel, and a man was misting these flowers.

I was startled enough to say, ¿Las flores son reales? Yes, this garland is made of real flowers. And yes, I managed an intelligible question in Spanish with the correct noun gender. Just two of many delightful surprises that week. Continue reading More San Miguel
Memorable San Miguel
I had the opportunity this month to attend an international writers’ conference in beautiful San Miguel de Allende, Mexico.




Both the place and the conference were beyond my hopes and expectations. I had signed up for workshops on memoir and personal narrative rather than poetry, since I have regular poetry classes here, and I came home with so much inspiration and so many great tips that will prove useful in some of my ongoing writing. I love learning things!

Still, I was a bit apprehensive when it was actually time to go, since I was traveling alone to central Mexico with only intermediate Spanish, and I was headed to a huge international conference with serious professional writers, agents, and editors. As it turned out, my intermediate Spanish was adequate in Mexico City to change some money and find my shuttle to San Miguel. And the conference’s 1750 attendees from 15 countries were all manner of writers and book enthusiasts. I fit right in.
At the welcome reception, we were told San Miguel is the city of fallen women … and men, the director added after a beat–haha–due to the ubiquitous cobblestone streets and random protrusions on the sidewalks. The beauty makes you look up.

The sidewalks and streets, however, demand you look down. 
At the hotel where the conference was held, I fell in love with this view.
I decided to try a bit of ink sketching as warm-up for two art classes I’ve since started. I was super nervous about sketching in public, but most people were otherwise occupied. Here’s the first one I did. A few issues, I know, but I’m proud of myself for doing it.
Even when people started showing up for the next thing, no one cared. Most just went on their merry way without a word. Two or three said something complimentary and kept going. Absolutely NON-traumatic, just several hours of unnecessary anxiety, one of my specialties, unfortunately. But maybe I’m learning. The next day I took my small travel sketch journal into el centro and tried a bit of contour drawing of La Parroquia.

Just as I was packing up to head back, this sketch resulted in a delightful conversation in my fumbling Spanish with the abuela who had been sitting next to me on the bench and her family, including a teenaged girl who loves to draw and asked to snap a photo of my sketch. It was a heartwarming moment of connection and felt like a reward for all the hours I’ve spent working on Spanish and, of course, braving sketching in public.
One thing I’m loving about using ink, is there’s no fussy erasing. You concentrate. You do your best. You make your mistakes and you keep going. Here’s wishing you the joy of trying something you’re a little bit afraid of doing. I mean, don’t be crazy, but maybe dance or sing or read a poem at an open mic or even sketch in public. Can’t wait to hear how it goes!
Grace and peace to you and yours, as always!
Old and New
It’s a new year, as you’ve likely noticed. Here’s an arty shot from a past January, while David and I were on our year of adventure.

It’s likely a sunset, since that’s when we usually walked the beach, but it looks a bit like a sunrise, so use your imagination. I’m trying to give you a visual metaphor of NEW.
Speaking of which, I’ve already started new classes, with more to come. So much to look forward to. In the process, I’m trying to embrace the AND of life. In one of my poetry classes the teacher reminds us periodically to acknowledge the existence of despair AND delight, like Ross Gay in his two books of delights that aren’t actually all about delight. Grief AND joy. Differences of opinion AND unity in the things that matter most.
Last Saturday I drove down to Denver on a dreary icy day–I know, sounds terrible so far–but it was to see the Camille Pissarro exhibit at the Denver Art Museum. A cold gray day AND beautiful art.

It was absolutely beautiful and I loved it. Completely worth braving I-25. Besides the glorious exhibit, people were kind and considerate of others trying to see the art. Yay.

And up close:

Pissarro’s art reminds me of how lights and darks together are more interesting than either alone, how complementary colors–those on opposite sides of the color wheel, like red/green, blue/orange, yellow/purple–when used side by side, make each other appear brighter, more vibrant.

And up close:

I took my time studying his brush strokes, color placement, color choices, subject matter, even the fact that in the midst of all this beauty, there was rarely a sky without clouds. Can’t wait to experiment a bit myself. I haven’t yet tried painting Monet’s Japanese Garden in Giverny that I visited in 2019, but why not? I’m feeling inspired.

Wishing you all the best in 2026. Praying for you unquenchable joy to ease the hard parts. Grace and peace to you and yours!